Leica M3 versus M4

M4 total production topped out at about 58,000 examples compared with the 225,000 run of the earlier M3. Of the total production of M4s just 6,775 were finished in black chrome and 4,889 in black paint.

The M4 is considered by many collectors to be the finest of the unmetered  M’s. However, , to compare Leica M3 versus M4, my two favourite gears both with the collapsible lens in perfect harmony, is not an easy task. Having tried both the Leica M3, M4, one visible different I see is in the loading of film. Loading film into the M4 is easier and faster. The M4 combined the best of its predecessors’ virtues, including superb build quality, and added a feature or two. 

With its engraved top-plate and M3-like craftsmanship, the M4 upped the rangefinder game. Another different is the angled rewind lever, instead of the knob on earlier models, dramatically speeded up the rewind process. 

In addition, the M4 has the framelines for 35, 50, 90 and 135mm lenses it was more practical than the M3 which lacked the 35mm lines, necessitating an external finder. I am considering getting the 35mm lens for the M4....

From the emotional point of view, when holding the Leica M3 Olive, I can feel a sense of history passing through my hands. As this M3 Olive was made for the military, I can imagine the harsh life it must have had before. Nevertheless, the camera is still in very good working condition except for the paint loss that has added more characteristics to the camera.

The used M4 in black paint is another sensation. When matched with the black coloured lens, it gives the Man in Black feel. The brasing on the corners of the camera has given it an unique character as no one black paint camera is the same after usage.

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